From babel-list-owner Thu Dec  1 07:00:12 2005
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Date: Thu, 1 Dec 2005 07:00:07 -0800
From: Dennis Moore <clayboy56>
To: Babel-list <babel-list>
Subject: FW: MC5 - Links & Federal Court Ruling ..
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Jackson Smith @ MotorCityRocks.com: "The suit is for good reason. It
seems people have a hard time remembering that there are people and
families behind the MC5 name. God forbid that they may have real
problems and issues with each other..."

Federal Court ruling details and commentary:   http://tinyurl.com/72tmp


The MC5 risked everything to make great music, even their lives and
careers. As businessmen they were epic failures. Now a fresh flurry of
ugly business squabbles swirls around the MC5... against a backdrop of
controversy and infighting, subjects with which the band became
intimately familiar in its first go-round. A seven-years-in-the-making
documentary about the band's exploits, "MC5: A True Testimonial," has
been derailed in the 11th hour over music licensing issues. Once again
the band is a house divided, with the families of the late Rob Tyner
and Fred "Sonic" Smith pitted against Kramer, Davis and Thompson...

Kramer's battle with Thomas and Legler's corporation, Future/Now
Films, has divided the MC5 camp. Tyner's widow, Rebecca Derminer,
agreed to license her husband's share of the songs to the filmmakers
and joined in their motion against Kramer in bankruptcy court. Also
upset is Patti Smith, the second wife of MC5 guitarist Fred "Sonic"
Smith, who died of heart failure in 1994.

"It's a shame," says Patti Smith, who had two children with the
guitarist. "I understand from my son [Jackson] that it's a wonderful
movie, and I support it. It's being blocked by Wayne Kramer, and I
think that's unfortunate. My son is one of the true guardians of his
father's name, and he felt that the movie served his father well, and
he was hoping that it would come out. These things are always a shame,
when someone is trying to do something good and it gets tainted by
greed."   (from a column by Greg Kot - Chicago Tribune - 30 May 2004)

More on "MC5 - A True Testimonial": 
http://www.sonicsrendezvous.com/MC5/index.html

From babel-list-owner Thu Dec  1 07:49:54 2005
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From: Dennis Moore <clayboy56>
To: Babel-list <babel-list>,
        EternalCafe
  <eternalcafe>
Subject: [npc] Fwd: FW: NIETZSCHE & THE FUTURE OF ART - NYC event, Dec.
  9
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just trying to impress yall talking about Nietzsche AND shit - hahaha
(wish I could be there though)

> -----Original Message-----
> From: Nietzsche Circle [mailto:goatvines]
> Sent: Thursday, December 01, 2005 7:31 AM
> To: goatvines
> Subject: NIETZSCHE & THE FUTURE OF ART
>
> The NIETZSCHE CIRCLE with the support of Deutsches Haus presents
>
> NIETZSCHE & THE FUTURE OF ART:
>
> The Effect of Nietzsche's Aesthetics on the Art of the Twentieth Century
>
> A lecture with slides by Friedrich Ulfers and Mark Daniel Cohen
>
>
> At the beginning of the twentieth century, shortly after Nietzsche's
> death,
> artists in all the principal fields of artistic endeavor knowingly and
> openly adopted the philosopher's aesthetic ideas and used them to
> revolutionize art. In this paper, the authors will examine principal
> practitioners of the visual arts, literature, and music to locate
> Nietzsche's influence, an influence that made much of Modernism possible.
> It
> is an influence that has not been exhausted. Although over the last 30
> years
> much argumentation has been devoted to announcing the death of art, a
> study
> of Nietzsche's aesthetic thought reveals the project that initiated
> twentieth-century art has yet to be realized fully. The authors will
> demonstrate that Nietzsche's writings can be distilled into an aesthetic
> philosophy that charts future possibilities for an art devoted to
> revealing
> the truth of the world and that such possibilities are continuing to be
> explored by contemporary artists.
>
>
> MARK DANIEL COHEN & FRIEDRICH ULFERS
>
> Friedrich Ulfers and Mark Daniel Cohen are preparing a book of Nietzsche's
> ontology and cosmology, and his conception of the Eternal Recurrence of
> the
> Same, viewed from a scientific perspective. Together, they have recently
> published several essays: "Friedrich Nietzsche as a Bridge from 19th
> Century
> Atomistic Science to the Process Philosophy of 20th Century Physics,
> Literature, and Ethics," "Nietzsche's Ontological Roots in Goethe's
> Classicism," which appears in the volume Nietzsche and Antiquity,
> "Nietzsche's 'Postmodernism': A Return to 'Classicism'," and "The Effect
> of
> Nietzsche's Aesthetics on the Art of the Twentieth Century."
>
>
> Friday, December 9th, 2005
> NYU's Deutsches Haus
> 42 Washington Mews (at University Place)
> 7 PM
>
> Admission: $5
>
>
> Wine and cheese reception to follow dialogue with audience at the end of
> the
> presentation.
> Thank you for your support and interest and we look forward to seeing you
> at
> our events.
>
>
> "My general task is to show how life, philosophy, and art can have a
> deeper
> and familial relationship to each other, without philosophy becoming
> shallow
> and the life of the philosopher becoming untruthful."  - Nietzsche
>
>
> WEBSITE NOTE:
>
> In several days, the flier for this event will be posted on our temporary
> website; within two weeks, the official website of the Nietzsche Circle
> will
> be open for viewing and include essays, book reviews, a discussion forum,
> and more. Please visit this site in the near future to see the new
> developments.
>
> http://nietzschecircle.com
>
>
> Our fiscal sponsor:
>
> http://www.fracturedatlas.org/site/fiscal/?do=browse_projects&category=Oth
> er&letter=N

From babel-list-owner Thu Dec  1 08:12:43 2005
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Date: Thu, 1 Dec 2005 08:12:46 -0800
From: Dennis Moore <clayboy56>
To: Babel-list <babel-list>
Subject: Re: FW: MC5 - Links & Federal Court Ruling ..redux: True
  Testimonial
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Like many things you have to laugh at the absurdity of it all to keep
from crying.....

On 12/1/05, Dennis Moore <clayboy56> wrote:
> > Federal Court ruling details and commentary:   http://tinyurl.com/72tmp
>
> Too funny----

From babel-list-owner Thu Dec  1 08:09:27 2005
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From: Dennis Moore <clayboy56>
To: Babel-list <babel-list>
Subject: Re: FW: MC5 - Links & Federal Court Ruling ..redux: True
  Testimonial
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> Federal Court ruling details and commentary:   http://tinyurl.com/72tmp

Too funny----taken from the forum:
.......
You wrote: While the critically acclaimed "True Testimonial" sits on a shelf...

Actually it's downloadable via the internet. And it's a great movie.
It's a motherfucker!

Love & Guts,

Poly
.....
Leger,
there are inferior boot dvd copies in my local indie music store, so
the cat's out of the bag.
(Yet another reasons why you watch your masters like a hawk.)
At this point the filmakers and Kramer are screwed until they can get
an *official* release out there (and even then there is no guarantee
of profit), so which would prefer?

1.) people pay 19.99 for a boot dvd?
2.) have available for download via a torrent so everyone can see it
for nothing?

No matter what happens now, neither of the creative parites involved
are going to see much profit out of this because the people who really
want top see this will find an illegal copy.
If the filmakers where smart they'd set up a PayPal account for
"donations". It won't pay their salaries, but it might cover tape
stock.

Cheers,
jB
.....
Yeah, thanks for this.

Just a note...there are alot more boot copies of "A True Testimonial"
since I last posted here.
I played a show with a band from Montreal last week, and the guitarist
and I were talking about music and I said, "Have you seen the MC5
doc?"
"A True Testinonial? Yeah, got a boot copy in Toronto 6 months ago."

From babel-list-owner Thu Dec  1 14:09:20 2005
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From: Aphinar
Message-ID: <249.2a5a48d.30c0ce88>
Date: Thu, 1 Dec 2005 17:09:12 EST
Subject: Fusilli "Thirty years later and better than ever"
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Wednesday's Journal contains a rather glowing article on Patti Smith, Horses, 
&c, by Jim Fusilli: 

    The Wall Street Journal, 30 November 2005, page D12 



Jay Dillon 
<A 
HREF="http://dogbert.abebooks.com/servlet/SearchResults?bx=off&sts=t&ds=30&vci=221241&bi=0&kn=Patti&sortby=2">Jay Dillon  Rare Books + Manuscripts, LLC
</A> 

From babel-list-owner Thu Dec  1 14:49:12 2005
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From: Li Lightfoot <li_lightfoot>
Subject: Re: Fusilli "Thirty years later and better than ever"
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What a fuckin' trip - Patti would have puked over a positive review in the WSJ 30 years ago - I wonder how she feels about it today? It's still the ultimate mouthpiece of the corporate elite and a consistent force for war in all its many profitable manifestations.
   
  On reflection, I'd say a positive review in the WSJ is an insult!
   
  LL

Aphinar wrote: 
  Wednesday's Journal contains a rather glowing article on Patti Smith, Horses, 
&c, by Jim Fusilli: 

The Wall Street Journal, 30 November 2005, page D12 



Jay Dillon 
HREF="http://dogbert.abebooks.com/servlet/SearchResults?bx=off&sts=t&ds=30&vci=221241&bi=0&kn=Patti&sortby=2">Jay Dillon Rare Books + Manuscripts, LLC

From babel-list-owner Thu Dec  1 15:55:04 2005
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Rock Icon Patti Smith Still at top of Her Form

By Frank Scheck

That Patti Smith has evolved from punk pioneer to rock legend was 
made obvious by the location of this 30th anniversary performance of 
her groundbreaking and recently re-released album "Horses." Rather 
than in a club like CBGB or one of its larger equivalents, the show 
was presented at the Brooklyn Academy of Music's Opera House, a venue 
more frequently inhabited by the likes of the Royal Shakespeare 
Company and the Mark Morris Dance Company.

The performance well demonstrated that though she is pushing 60 and 
sports gray hair instead of black, Smith has lost none of her 
ferocious power. From the first line of the famous album opener 
"Gloria" -- "Jesus died for somebody's sins, but not mine" -- to the 
mournful closing notes of "Elegie," she and her band delivered a 
performance of blazing intensity that actually managed to outshine 
the original.

Clad in similar style to the album cover photo of her shot by Robert 
Mapplethorpe, Smith both re-created and expanded upon the music. 
Original Patti Smith Group members Lenny Kaye (guitar) and Jay Dee 
Daugherty (drums) were augmented by Television guitarist Tom 
Verlaine, Tony Shanahan on keyboards and typically energetic bassist 
Flea, who also contributed an impressive trumpet solo to "Elegie."

 From its use of spoken-word poetry and excerpts from rock classics 
to its prefiguring of new wave and punk, "Horses" displayed a 
stylistic breadth and imagination that was perfectly conveyed here. 
And though Smith might be at the age where she has to reach for her 
glasses before delivering some of the denser lyrical material (a 
gesture that amusingly garnered cheers from the largely boomer 
crowd), she had no difficulty recapturing the music's manic energy.

After the formal delivery of the album in its entirety, Smith and 
company rewarded the audience with a lengthy second segment featuring 
impassioned renditions of such classics as "Southern Cross," "Because 
the Night," "Dancing Barefoot" and "Rock and Roll Nigger." The 
performances well justified a well-timed outburst from one irate 
patron: "They should have put you in the hall of fame, Patti!"

Reuters/Hollywood Reporter
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Subject: BAM: Rock icon Patti Smith still at top of her form
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_http://tinyurl.com/ayfxr_ (http://tinyurl.com/ayfxr)     xxo- Seena

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From: Poemsl1
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Date: Thu, 1 Dec 2005 19:06:04 EST
Subject: Horses/Horses
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xxo- Seena
>From The Irish Times: 
PATTI SMITH Horses  Sony/BMG  ****
 
Subtitled "the 30th anniversary legacy edition", and the key word is legacy.  
Like a Velvet Underground record, not a huge amount of people bought the 
album  on its release, but those that did were profoundly influenced by it (just 
ask  REM, or Morrissey). This is a vertiginous combo of beat poetry and garage 
rock,  and it's as potent now as it was then. From Gloria to Elegie, Smith 
spits it out  in an almost regal manner. It can be all summed up by a rather 
perplexing and  downright ignorant review of the time, which read something like 
"Before Horses  I wouldn't have bought an album with a chick as the lead 
singer". Nice one,  mister - try saying that to her face. The second disc here is 
taken from a  complete performance of the album at this year's Meltdown 
Festival. The band on  the night featured Television's Tom Verlaine and Flea from the 
Red Hot Chili  Peppers. And don't miss the encore of The Who's My Generation. 
Brian  Boyd

From babel-list-owner Thu Dec  1 18:03:34 2005
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To: "Li Lightfoot" <li_lightfoot>,
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Subject: Re: Fusilli "Thirty years later and better than ever"
Date: Thu, 1 Dec 2005 18:04:30 -0800
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Yeah, Li--I think this rather strange as well, tho I wouldn't go as far as to
say its an INSULT, I'd just say its strange! (Ain't it?!)

XO-Glenna
  ----- Original Message -----
  From: Li Lightfoot
  To: Aphinar ; Babel-list
  Sent: Thursday, December 01, 2005 2:49 PM
  Subject: Re: Fusilli "Thirty years later and better than ever"


  What a fuckin' trip - Patti would have puked over a positive review in the
WSJ 30 years ago - I wonder how she feels about it today? It's still the
ultimate mouthpiece of the corporate elite and a consistent force for war in
all its many profitable manifestations.

    On reflection, I'd say a positive review in the WSJ is an insult!

    LL

  Aphinar wrote:
    Wednesday's Journal contains a rather glowing article on Patti Smith,
Horses,
  &c, by Jim Fusilli:

  The Wall Street Journal, 30 November 2005, page D12



  Jay Dillon
  HREF="http://dogbert.abebooks.com/servlet/SearchResults?bx=off&sts=t&ds=30&
vci=221241&bi=0&kn=Patti&sortby=2">Jay Dillon Rare Books + Manuscripts, LLC

From babel-list-owner Thu Dec  1 17:57:24 2005
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from  Pitchfork:


http://www.pitchforkmedia.com/record-reviews/s/smith_patti/horses.shtml


Patti Smith sounded both young and old on her 1975 debut, Horses: young because only a young punk can slink into the spotlight and sell an opening line like, "Jesus died for somebody's sins, but not mine"; old, because she was dead serious and sophisticated, an ur-punk but also a poetess and a singer who knew to stop this close to overindulgence. Like her hero Jim Morrison she wrote absurd verses more fit for a diary than a rock 'n' roll record, but could also follow them with lines that genuinely terrified.

Smith is the fountainhead for the punks, grrrls, rockers, and artists that have worn the shit out of this record in their most raw, needy hours, and who study and mimic everything she does with that voice-- which is all rends, tears, and bite marks, and no clean cuts. So it feels cheap not to put this fully on a pedestal, even if "Land"'s meandering free verse makes a poor bookend for the enraged lust of "Gloria", and "Elegie" is a turgid closer. The flaws don't matter: Horses is an album of its time-- not because it's dated, but because it precariously captures a phase in Smith's life, and when all the raw elements fall in place, it feels miraculous.

Take "Birdland". Just like in a jazz ballad, you can practically hear the band breathing in sync, and the slightest misjudgment would screw up the flow of Smith's surreal-- but straightforwardly powerful-- poem. But Lenny Kaye's guitar stretches effortlessly from post-funeral ballad to ecstatic, crazy fury, and Smith's performance is fierce and horribly unbeautiful. "It was as if someone had spread butter on all the fine points of the stars/ 'Cause when he looked up they started to slip." Holy God is she a poet, and she hurls those words so accurately you want to scream and give up too.

That was 30 years ago. Today, Smith is unavoidably grown up, stuck in the canon, and well defined, and that's the artist we hear on the bonus disc in this package, a live track-by-track recital of Horses from the Meltdown Festival in London, this past June. She took the stage with old friends Tom Verlaine and Lenny Kaye on guitar and Jay Dee Daugherty on drums. They knocked the roof off-- but they don't match the original. "Birdland" is fitful and noisy, the segue from "Lands" back to a "Gloria" reprise seems like a cop-out, and Smith's wild poetess thing has settled into something a little more, hey, settled, like when she complains about how much time we spend on email and Blackberrys. "Elegie" takes far more meaning now that she has a list of loved ones to commemorate, like Robert Mapplethorpe, or her own husband. But play it back to back with the debut, and instead of a transformative force, you hear an old familiar voice cranking about George Bush.

Here's the thing about growing up: You don't know when it happens until later, but if you could catch it, it would be an amazingly quick moment-- like the point where you toss a ball in the air and it comes to a complete halt before it starts to fall to the ground. When we talk about youth and rock and roll, we're looking for that moment, of not being one thing or the other but of straddling both, of making mistakes that are above and beneath us, of a crest of energy as the ball gets ready to stop. We're talking about Smith changing from the twentysomething poet who decided to add guitar to her readings, and about an artist who can ape the last generation even as she spawns the next one. Or a performance like her old take of "My Generation", where she and John Cale knock the shit out of the by-then-ancient Who classic and Smith wraps with the wail, "I'm so young, I'm so goddamn young"-- and she's still, barely, right.

-Chris Dahlen, December 1, 2005

From babel-list-owner Thu Dec  1 18:24:19 2005
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Subject: Re: FW: MC5 - Links & Federal Court Ruling ..redux: True 
  Testimonial
Date: Thu, 1 Dec 2005 18:25:25 -0800
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Is this on a bit torrent site or what?
Let me know offlist--I ain't afraid of the RIAA!
;-)

XO-Glenna
  ----- Original Message -----
  From: Dennis Moore
  To: Babel-list
  Sent: Thursday, December 01, 2005 8:09 AM
  Subject: Re: FW: MC5 - Links & Federal Court Ruling ..redux: True
Testimonial


  > Federal Court ruling details and commentary:   http://tinyurl.com/72tmp

  Too funny----taken from the forum:
  .......
  You wrote: While the critically acclaimed "True Testimonial" sits on a
shelf...

  Actually it's downloadable via the internet. And it's a great movie.
  It's a motherfucker!

  Love & Guts,

  Poly
  .....
  Leger,
  there are inferior boot dvd copies in my local indie music store, so
  the cat's out of the bag.
  (Yet another reasons why you watch your masters like a hawk.)
  At this point the filmakers and Kramer are screwed until they can get
  an *official* release out there (and even then there is no guarantee
  of profit), so which would prefer?

  1.) people pay 19.99 for a boot dvd?
  2.) have available for download via a torrent so everyone can see it
  for nothing?

  No matter what happens now, neither of the creative parites involved
  are going to see much profit out of this because the people who really
  want top see this will find an illegal copy.
  If the filmakers where smart they'd set up a PayPal account for
  "donations". It won't pay their salaries, but it might cover tape
  stock.

  Cheers,
  jB
  .....
  Yeah, thanks for this.

  Just a note...there are alot more boot copies of "A True Testimonial"
  since I last posted here.
  I played a show with a band from Montreal last week, and the guitarist
  and I were talking about music and I said, "Have you seen the MC5
  doc?"
  "A True Testinonial? Yeah, got a boot copy in Toronto 6 months ago."

From babel-list-owner Thu Dec  1 18:25:16 2005
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NO SHIT, DENNIS!!!!

XO-yer pal in the Jet City!
  ----- Original Message -----
  From: Dennis Moore
  To: Babel-list
  Sent: Thursday, December 01, 2005 8:12 AM
  Subject: Re: FW: MC5 - Links & Federal Court Ruling ..redux: True
Testimonial


  Like many things you have to laugh at the absurdity of it all to keep
  from crying.....

  On 12/1/05, Dennis Moore <clayboy56> wrote:
  > > Federal Court ruling details and commentary:   http://tinyurl.com/72tmp
  >
  > Too funny----

From babel-list-owner Thu Dec  1 18:28:20 2005
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Subject: Re: [npc] Fwd: FW: NIETZSCHE & THE FUTURE OF ART - NYC event,
  Dec.  9
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Dennis wrote:
 Friedrich Ulfers and Mark Daniel Cohen are preparing a book of Nietzsche's
> ontology and cosmology, and his conception of the Eternal Recurrence of
> the
> Same, viewed from a scientific perspective.

I'd love to read that when it comes out!
I'm not much on philosophy study, but this sounds very interesting to me!
Thanks for hippin' me to it!

XO-Glenna

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From: Dennis Moore <clayboy56>
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Subject: Fwd: [eternalcafe] bowery ballroom
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for all you lucky cusses

---------- Forwarded message ----------
From: adamschanke <schanke>
Date: Dec 1, 2005 12:03 PM
Subject: [eternalcafe] bowery ballroom
To: eternalcafe

on sale tomorrow at noon

opeace
adam






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From babel-list-owner Thu Dec  1 23:59:25 2005
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Subject: Patti interview on U2.com
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Date: Fri, 2 Dec 2005 01:35:50 -0500 (EST)
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Looks like this was actually put up on the U2
site _before_ the MSG shows:


    http://www.u2.com/highlights/index.php?hid=194

Patti The Punk Rocker

U2 have had some pretty cool acts playing with them during
2005 but none as legendary or influential as Patti Smith
who will support them at Madison Square Garden early next
week.

It was thirty years ago this month that Patti's debut
album Horses was released, an album that was to have a
seminal influence on four teenage musicians in Dublin -
and thousands of others worldwide. As long ago as 1988 U2
covered 'Dancing Barefoot' for a b-side release and during
Vertigo '05 shows they've interjected snatches of her
songs 'Rock'n'Roll Nigger' into Vertigo and 'The People
Have The Power' into Bad. Earlier this week, Bono
dedicated Wild Horses to 'Patti the punk rocker'.

A remastered version of Horses has just been released,
complete with a live version performed at the Meltdown
Festival in London in the summer. You can find out more
about what she is up to [at www.pattismith.net].

U2.Com caught up with Patti on the US West Coast earlier
this week and discovered how Michael Stipe surprised her
by taking her along to a U2 show last month, why she
thought they sound 'like a punk rock band', which member
of the band she met as a teenager and how 'art is meant
for the people'.

U2.Com: Are you touring with the band at present or doing
poetry readings?

Right now I'm doing a little tour with Lenny Kaye to
celebrate the thirtieth anniversary of our record Horses.
Since Lenny and I developed most of the songs together we
thought it would be nice to visit some of those place
where we first performed those songs. So we've been
performing acoustically on the West Coast and then I've
also been doing some readings because I have a new book of
poetry coming out. Even though I have been around for a
long time, I still feel that I have something to
contribute and I think next year we will do a cover album,
songs that have taught and inspired me through the years.
We'll sit down and look at the whole canon of rock'n'roll
and choose some songs where writers have spoken for me.

U2.Com: Does the thirtieth anniversary of Horses give you
pause for reflection?

I was surprised when I realised it would be thirty years.
I hadn't really realised it and I am actually quite proud
because I feel I am still in touch with the songs. I feel
very healthy and I still feel able to project the songs. I
feel very good about where we are right now but I am also
proud to have done a body of work which has proved
meaningful to people. To mark the thirtieth anniversary we
started out performing Horses live in sequence at the
Meltdown Festival in the summer with Tom Verlaine and with
Flea from the Red Hot Chilli Peppers and that was exciting
so we will do the same at the Brooklyn Academy of Music on
November 30th . We will have celebrated in London, on the
West Coast and then in New York.

U2.Com: Did you ever imagine that album would prove so
influential - and for so long?

No. I was just hoping the record would inspire people.
When I recorded Horses I wanted to make a record for
people like myself, who were outside society, who felt
disenfranchised. I really never imagined that it would
have any big impact, but I thought some people might find
it helpful so it is really quite amazing and a wonderful
feeling that it still means something to people thirty
years later.

U2.Com: At the Rock'n'Roll Hall of Fame Awards earlier
this year, Larry noted your influence on U2 as a young
band and said that you were in U2's Rock'n'Roll Hall of
Fame. Is that kind of recognition rewarding?

That means more to me than the recognition of the Hall of
Fame itself, because the recognition of one's peers and
fellow musicians is what really counts, It is an honour to
be recognised by such institutions but I have say to be in
'U2's Hall of Fame' is really special, to be in the
People's Hall of Fame is all one needs. I feel very
touched by that. One doesn't really realise this impact at
the time or think about it. I never realised truthfully
that we had any impact on these younger groups and when I
listen to them, they are so strong and have such unique
qualities that I certainly see no comparison but I think
that if we did anything to inspire these groups or to give
them courage or to help them feel not alone then we did
our job.

U2.Com: It seems improbable but when you support U2 next
week it will be the first time you have ever played
Madison Square Garden.

Yes, our first time! Even though our band is American we
are still a fairly marginalised band and I have to say
that probably we would have never gotten an opportunity to
play at MSG if someone didn't give us a chance. In my
thirty-plus years this is the first time I have been
invited by a band to play so it is great. Not only are we
going to experience being a New York band playing at the
Garden - which is a dream - but we are doing it with
people who share our beliefs and who are such an important
part of the current cultural voice.

U2.Com: Were you surprised at the invitation?

Yes and I was excited. We had to make some last minute
adjustments but we did everything we could in order to do
the job and we'll do the best we can to provide a good
energy. Not that they need it but it has always been my
policy, whether opening for Bob Dylan or Neil Young or any
young group we admire, that our job is to create a good
atmosphere on stage so that when the headliner walks on
stage they feel a positive spirit. We'll do our best!

U2.Com: You saw the band play on the current tour, in New
York last month. What did you make of the show?

I was actually on my way to Africa but Michael Stipe
called me and picked me up and said, 'I know you have a
plane to catch in a few hours but I am whisking you off to
Madison Square Garden.' And it was so great, such fun to
attend the show with U2 and dance all night with Michael.
Of course their older songs are thrilling but they played
Vertigo which is one of my favourite songs, such a fresh
energy. In fact as they were playing I was thinking,
'Gees, they sound like a punk rock band, they sound like
our band. in fact I think we make the grade, that we could
play this song just as good as them.' Then I realised that
they were doing our song, Rock'n'Roll Nigger, so no wonder
they sounded just like us! I was laughing when I realised
they were playing one of our songs. But the strength of
the show took me right back to CBGB's in the 1970's, I was
so moved by the whole thing: everything you want in
rock'n'roll, the sexual energy, the emotional energy, the
political concerns. but music you can dance to and express
yourself in. It was all there.

U2.Com: You've met the band over the years, as well as
seen them play before.

I had seen them before this last show and it's always a
great experience: great singer and lyricist, great to hear
that Edge clarion call, and one of the greatest rhythm
sections in rock'n'roll. They've also been to our concerts
and I always find them very supportive and friendly. The
story I remember most is from the 1970's, when our band
weren't allowed to travel to Ireland because of the unrest
so I went with just my piano player. We visited a church,
and there were a lot of poor kids and struggling kids and
I read poems and talked and sang songs with an old upright
piano and we talked about rock'n'roll as something from
the grassroots that didn't belong to the rich or to
business but something that was the people's art. We
talked about how everyone in that room was capable and
deserving of expressing themselves. And one of the people
who was there was Larry, he was just a young boy, and he
has told me about that since and we talked about Africa,
about Ethiopia and all the things you can do through music
. artistically, poetically. And that was my first contact
with Larry. I think that's what made it so much more
amazing for him to say those words about me when he was
inducted into the Hall of Fame. He comes by where he is
very honestly so I am very proud to see where he has risen
to.

U2.Com: What do you find in U2's music?

When I first heard U2 in the eighties I was living in
Michigan and had withdrawn from the public arena. There
was something in their music that deeply touched me, even
when I knew nothing about them. I felt whoever this band
was, these were our people, their music had such a merging
of tradition with the new, r'n'b with 70's aspects..but
all new. And there was always this political concern as
well, a human concern, whether songs about love or self-
exploration or the state of their own country or
revolution. It's the things that our band always sought,
and still does, but what U2 has is something far beyond
what I was able to do myself . to take these aspects and
to really communicate with the public consciousness, to
create songs that people really respond to. I don't think
that one has to be obscure or marginalised to be a true
artist. Art is meant for the people and political
awareness is meant for the people and I am so happy to see
one of the biggest bands in the world not only creating
music the people respond to, but music that encourages
them and teaches them.

U2.Com: In recent shows U2 have been marrying your song
'The People Have The Power' with their song 'Bad'.

I still believe that the people have the power but they
have forgotten how to exercise that power and it's
important to remind and encourage people of that. My late
husband Fred Sonic Smith wrote it with me and we wrote it
for the people to have it, for people to be inspired by it
and certainly U2 is going to connect with more people than
I ever could, so I am really grateful that they have
chosen to do that. There is a lot of similarity in our
bands, our motivations are similar, humanistic, concerned
about our people, our environment and we both like to have
fun. Spiritual concerns, political concerns, poetic
concerns - and a lot of dancing.'

Patti Smith will play with U2 at Madison Square Garden on
November 21st and 22nd.

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Subject: Patti Lee reviewed in today's NYTimes!
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 http://www.nytimes.com/2005/12/02/arts/music/02patt.html

Rock Review | Patti Smith
Celebrating 'Horses' and Everything After

By LAURA SINAGRA
Published: December 2, 2005

Patti Smith appeared at the Brooklyn Academy of Music on Wednesday dressed
as her younger self in Robert Mapplethorpe's cover photo for her seminal
1975 album, "Horses." This year the punk godmother has celebrated the
record's 30th anniversary by playing it at the Meltdown Festival in London,
and now here.

Aside from the gray hair, Ms. Smith's spindly, androgynous figure - still
kinetic and fist-pumping - appears uncannily unchanged. Her use of space is
still pure Antonin Artaud and Theater of Cruelty, with its emphasis on
convulsive rigor. With the first salvo from the album-opening "Gloria" -
"Jesus died for somebody's sins, but not mine" - her full-throated alto
pushed to the corners of the room. When the beat kicked in, she took the
place to catharsis with easy command.

The band matched her thrust. The writer and guitarist Lenny Kaye, a longtime
co-conspirator, led the reconstituted Patti Smith Group, which was absent
Ivan Kral and Richard Sohl, who is deceased, and included three newcomers:
the keyboardist-guitarist Tony Shanahan, the bassist Flea, and Ms. Smith's
fellow punk pioneer, the guitarist Tom Verlaine.

If the transition from "Gloria" to the reggae vamp "Redondo Beach" felt like
an energy dip, Ms. Smith tore through the later "Land" suite, a surreal
conflation of sex, violence, teeny-bopper dance crazes, and rock 'n' roll
redemption. But this time, as Ms. Smith riffed on global destruction, the
"sea of possibility" that the song envisions took on a more menacing churn.

Life will do that. Since 1975, Ms. Smith has experienced, among other
things, a serious neck injury from a stage fall; an extended break from
music; a marriage to Fred (Sonic) Smith of the MC5, and his subsequent
death; the raising of their two children; the deaths of a brother, her
mother and some close friends; and a move into political activism.

After dispensing with "Horses," when Ms. Smith returned for the night's
second set, dressed in a cropped leather jacket, she seemed years younger.
This portion's honest exploration of more communal concerns was raw and
fresh, if less excitingly brash.

Strumming acoustic guitars on "Southern Cross," the whip-thin Mr. Kaye and
Ms. Smith conjured the aggression of mating mantises. Later songs cycled
through faith and doubt. The doo-wop plea for mercy "We Three" was countered
by the love-submission anthem "Dancing Barefoot" and the ultimately hopeful
"My Blakean Year."

The show climaxed with a speed-metal version of the still-problematic "Rock
'n' Roll Nigger." This bid to reclaim a slur has always seemed like
overreach. The song's sentiment, though, continues a thread extending from
the working-class rant of Ms. Smith's first single through her current
Katrina-aid advocacy, a belief that renewal can rise out of abject wreckage.

From babel-list-owner Fri Dec  2 05:42:51 2005
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Great performance last night!!
Back to 1975 for the Horses segment, then a second segment with some real chestnuts, including a dirge-like cover of "Are You Experienced".
For the second segment Patti came out with a long red ribbon, and spoke eloquently about World AIDS Day, of course mentioning Robert Mapplethorpe.
Thanks to Deesta, very nice to meet you and David!

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From: dreams <dontcallmegroundzero>
Subject: patti and friends at bklyn academy of music
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this show was one of the best. i've never been to bam
its
a nice place. patti had jessie play piano for one song
(set list nor near computer) and she was wearing
the coolest jacket it looked like suede with fringe on
the tops of the arms while playing are you
experienced. 

flea from red hot chili peppers was incredible 
all in all it was a great show. started bout 745 and
ended around 950 thanks patti, band and guests. 

does anyone know if flea will be at the bowery show
on the 30th?

dreams

http://www.liz.drgnlord.com

http:// www.drgnlord.com chk out my friends site


		
__________________________________________ 
Yahoo! DSL  Something to write home about. 
Just $16.99/mo. or less. 
dsl.yahoo.com 

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Date: Mon, 5 Dec 2005 15:13:35 -0500 (GMT-05:00)
From: "Douglas W. Corkhill" <dwcatty>
Reply-To: "Douglas W. Corkhill" <dwcatty>
To: babel-list
Subject: de l'ame pour l'ame
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Imagine being given the opportunity to see and hear a musical artist perform one of their most influential albums, in its entirety, in the sequence it was recorded.  The mind is boggled; Bruce Springsteen playing Born To Run from front to back.  The Rolling Stones and Let It Bleed, or Sticky Fingers.  Bob Dylan Revisting Highway 61.
 
For two nights in new York City last week rock singer-poet-priestess-goddess Patti Smith celebrated the 30th anniversary of her debut album Horses doing just that.  She did not recreate the songs, rather reinterpreted the music as both she and horses have matured.  Held at the gorgeous Brooklyn Academy of Music it was truly an occasion of rock meets art.
 
For me, the decision to attend one of these shows was simple.  I have admired Smith's music for years, introduced through her collaboration with Springsteen on Because the Night in 1978, and have seen her play in small clubs in North Carolina and in New York City on her birthday twice.  In my never ending quest for the perfect concert moment I knew this show would be special - and I was going.
 
I didn't realize just how special upon entering the concert hall, with its high, ornate ceiling, gilded balconies and box seats hovering like saucers flying beside the stage.  I didn't realize how special when I was handed a program from the usher, complete with a playlist and biography of the band.  It wasn't until the lights dimmed, they walked on stage and Patti sang the first line of Gloria; "Jesus died for somebody's sins but not mine," that I knew that this was not your average rock and roll show.
 
Patti and the band attacked the first four songs with unbridled passion.  Patti was pumped during Gloria, relaxed in Redondo beach, channeled her poetic soul for Birdland and unleashed a frenzy in Free Money.  Flea, bass player with the Red Hot Chili Peppers playing now with Patti, was barely able to contain his energy, marching in place and then hopping during the first sides' final cut.
 
"Side two," Patti smiled and said before Kimberly.  Both the band and the audience took a collective breath at the start before Flea got funky on the bass, Lenny Kaye ripped some surf guitar and then Patti and Lenny danced to the song's sweet ending.  Patti recited a poem to Jim Morrison before Break It Up, then pounded on her heart singing "I feel my heart breaking."
 
The centerpiece of the album, the three part opus Land, was completely reworked.  The opening ode to "Johnny" was reworded, the Land of a Thousand Dances portion churned with ferocious energy and the concluding La Mer was replaced with lyrics that invoked the streets of Tanagers.  In spite of the changes the crowd was the most responsive of the night, on their feet and dancing in the aisles.
 
Everyone - Patti, the band, the audience - took another deep breath as Flea turned bass duties over to long time drummer Jay Dee Daugherty and picked up the trumpet for the album ending Elegie.  Promising "We'll be right back," Patti led the band off stage to the fifth (or was it the sixth?) standing ovation of the night.  Horses was complete but the night was not yet over.
 
Unlike the first set, which was a unified whole, the second set was a pastiche.  Proving her past was both punk and psychedelic Patti played clarinet on a mesmerizing cover of Are You Experienced?  After reminding the audience that the day (December 1) was International Aids Day and railing against governments and corporations that don't do more to make medicine available to the poor around the world, she and Lenny played acoustic guitars on a simply sublime Southern Cross.  Patti kept her shoes and socks on while going out into the audience during Dancing Barefoot, then began Because the Night serenading a stuffed Gumby doll.  The set ending Rock and Roll Nigger included both a snippet of Land's lost La Mer as well as a reprise of Gloria's opening line.
 
Returning for an encore that truly felt earned and not scripted, Patti invoked her late husband Fred "Sonic" Smith.  She told of how when the two of them wrote the song People Have the Power in "oh...1987," her daughter was kicking her from inside the womb.  This night daughter joined mother onstage for the finale.  "She'll probably kick me again after the show," the proud mom said before ending the night with the fist pumping anthem.
 
In the program Lenny Kaye writes of the "great privilege and honor" it is for them to "share this milestone moment of Horses' lifeline in Brooklyn."  Also in the program, just above the playlist, is "de l'ame pour l'ame."  Translated literally, this means "from the soul, for the soul".  Thank you, Patti; my soul is enriched for having been there.
 
Doug (sad because they were out of "Horses Changed My Life" buttons by the time I got there)

From babel-list-owner Tue Dec  6 17:53:17 2005
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From: "J" <jlregister>
To: <babel-list>
Subject: RE: de l'ame pour l'ame
Date: Tue, 6 Dec 2005 17:53:13 -0800
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Can I just say I'm jealous and leave it at that?
 

_______________________ 
J


> -----Original Message-----
> From: owner-babel-list 
> [mailto:owner-babel-list] On Behalf Of Douglas 
> W. Corkhill
> Sent: Monday, December 05, 2005 12:14 PM
> To: babel-list
> Subject: de l'ame pour l'ame
> 
> 
> Imagine being given the opportunity to see and hear a musical 
> artist perform one of their most influential albums, in its 
> entirety, in the sequence it was recorded.  The mind is 
> boggled; Bruce Springsteen playing Born To Run from front to 
> back.  The Rolling Stones and Let It Bleed, or Sticky 
> Fingers.  Bob Dylan Revisting Highway 61.
>  
> For two nights in new York City last week rock 
> singer-poet-priestess-goddess Patti Smith celebrated the 30th 
> anniversary of her debut album Horses doing just that.  She 
> did not recreate the songs, rather reinterpreted the music as 
> both she and horses have matured.  Held at the gorgeous 
> Brooklyn Academy of Music it was truly an occasion of rock meets art.
>  
> For me, the decision to attend one of these shows was simple. 
>  I have admired Smith's music for years, introduced through 
> her collaboration with Springsteen on Because the Night in 
> 1978, and have seen her play in small clubs in North Carolina 
> and in New York City on her birthday twice.  In my never 
> ending quest for the perfect concert moment I knew this show 
> would be special - and I was going.
>  
> I didn't realize just how special upon entering the concert 
> hall, with its high, ornate ceiling, gilded balconies and box 
> seats hovering like saucers flying beside the stage.  I 
> didn't realize how special when I was handed a program from 
> the usher, complete with a playlist and biography of the 
> band.  It wasn't until the lights dimmed, they walked on 
> stage and Patti sang the first line of Gloria; "Jesus died 
> for somebody's sins but not mine," that I knew that this was 
> not your average rock and roll show.
>  
> Patti and the band attacked the first four songs with 
> unbridled passion.  Patti was pumped during Gloria, relaxed 
> in Redondo beach, channeled her poetic soul for Birdland and 
> unleashed a frenzy in Free Money.  Flea, bass player with the 
> Red Hot Chili Peppers playing now with Patti, was barely able 
> to contain his energy, marching in place and then hopping 
> during the first sides' final cut.
>  
> "Side two," Patti smiled and said before Kimberly.  Both the 
> band and the audience took a collective breath at the start 
> before Flea got funky on the bass, Lenny Kaye ripped some 
> surf guitar and then Patti and Lenny danced to the song's 
> sweet ending.  Patti recited a poem to Jim Morrison before 
> Break It Up, then pounded on her heart singing "I feel my 
> heart breaking."
>  
> The centerpiece of the album, the three part opus Land, was 
> completely reworked.  The opening ode to "Johnny" was 
> reworded, the Land of a Thousand Dances portion churned with 
> ferocious energy and the concluding La Mer was replaced with 
> lyrics that invoked the streets of Tanagers.  In spite of the 
> changes the crowd was the most responsive of the night, on 
> their feet and dancing in the aisles.
>  
> Everyone - Patti, the band, the audience - took another deep 
> breath as Flea turned bass duties over to long time drummer 
> Jay Dee Daugherty and picked up the trumpet for the album 
> ending Elegie.  Promising "We'll be right back," Patti led 
> the band off stage to the fifth (or was it the sixth?) 
> standing ovation of the night.  Horses was complete but the 
> night was not yet over.
>  
> Unlike the first set, which was a unified whole, the second 
> set was a pastiche.  Proving her past was both punk and 
> psychedelic Patti played clarinet on a mesmerizing cover of 
> Are You Experienced?  After reminding the audience that the 
> day (December 1) was International Aids Day and railing 
> against governments and corporations that don't do more to 
> make medicine available to the poor around the world, she and 
> Lenny played acoustic guitars on a simply sublime Southern 
> Cross.  Patti kept her shoes and socks on while going out 
> into the audience during Dancing Barefoot, then began Because 
> the Night serenading a stuffed Gumby doll.  The set ending 
> Rock and Roll Nigger included both a snippet of Land's lost 
> La Mer as well as a reprise of Gloria's opening line.
>  
> Returning for an encore that truly felt earned and not 
> scripted, Patti invoked her late husband Fred "Sonic" Smith.  
> She told of how when the two of them wrote the song People 
> Have the Power in "oh...1987," her daughter was kicking her 
> from inside the womb.  This night daughter joined mother 
> onstage for the finale.  "She'll probably kick me again after 
> the show," the proud mom said before ending the night with 
> the fist pumping anthem.
>  
> In the program Lenny Kaye writes of the "great privilege and 
> honor" it is for them to "share this milestone moment of 
> Horses' lifeline in Brooklyn."  Also in the program, just 
> above the playlist, is "de l'ame pour l'ame."  Translated 
> literally, this means "from the soul, for the soul".  Thank 
> you, Patti; my soul is enriched for having been there.
>  
> Doug (sad because they were out of "Horses Changed My Life" 
> buttons by the time I got there)

From babel-list-owner Wed Dec  7 02:20:07 2005
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From: mckenzie
Subject: Re: 
Date: Wed, 7 Dec 2005 05:23:03 -0500
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Ugh, I meant redondo Beach.  Sorry
On Dec 7, 2005, at 5:21 AM, mckenzie wrote:

> Patti was good on Conan O' Brian tonight.  She did a laid back version 
> of Kimberly.  Tom Verlaine was on lead guitar and he played a few odd 
> notes, but otherwise a great performance.  Patti was sitting with 
> Conan at the closing, but no interview.
>
> Dave

From babel-list-owner Wed Dec  7 02:18:53 2005
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Patti was good on Conan O' Brian tonight.  She did a laid back version 
of Kimberly.  Tom Verlaine was on lead guitar and he played a few odd 
notes, but otherwise a great performance.  Patti was sitting with Conan 
at the closing, but no interview.

Dave

From babel-list-owner Wed Dec  7 07:44:43 2005
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From: Julie987 (Julie York)
Date: Wed, 7 Dec 2005 07:44:40 -0800
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I stayed up late last night to see Patti on Conan. I was so glad to see
Patti on T.V. again. I thought that her performance was great. I think
it would have been nice if she were interviewed 
also. 

From babel-list-owner Wed Dec  7 08:01:53 2005
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What songs did she sing?

- Mitch


> -----Original Message-----
> From: owner-babel-list
> [mailto:owner-babel-list]On Behalf Of Julie York
> Sent: Wednesday, December 07, 2005 10:45 AM
> To: Babel-list
> Subject: Patti on Conan
> 
> 
> I stayed up late last night to see Patti on Conan. I was so 
> glad to see
> Patti on T.V. again. I thought that her performance was great. I think
> it would have been nice if she were interviewed 
> also. 

From babel-list-owner Wed Dec  7 10:30:36 2005
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She sang the song "Renondo Beach". I don't know if someone's promoting
her book, but I bet there's been a lot of people who bought it. I have
two copies of "Auguries of Innocence". I have one copy that isn't
autographed, and another copy with her autograph. I got the autographed
copy when I saw her in San Francisco last month, which I enjoyed. 

From babel-list-owner Wed Dec  7 11:37:15 2005
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I didn't even know she was on Conan--would've been nice to see her do
Redondo!

Oh well--there's always reruns!
Thanks for the update!

XO-Glenna
  ----- Original Message -----
  From: Julie York
  To: Babel-list
  Sent: Wednesday, December 07, 2005 10:31 AM
  Subject: Patti on Conan


  She sang the song "Renondo Beach". I don't know if someone's promoting
  her book, but I bet there's been a lot of people who bought it. I have
  two copies of "Auguries of Innocence". I have one copy that isn't
  autographed, and another copy with her autograph. I got the autographed
  copy when I saw her in San Francisco last month, which I enjoyed.

From babel-list-owner Wed Dec  7 11:39:48 2005
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Ah....Kimberly! I love that song--I had thought it was Redondo Beach--but I'm
only repeating what I heard from another listee!

One of my faves, that!
XO-Glenna
  ----- Original Message -----
  From: mckenzie
  To: babel-list
  Sent: Wednesday, December 07, 2005 2:21 AM


  Patti was good on Conan O' Brian tonight.  She did a laid back version
  of Kimberly.  Tom Verlaine was on lead guitar and he played a few odd
  notes, but otherwise a great performance.  Patti was sitting with Conan
  at the closing, but no interview.

  Dave

From babel-list-owner Wed Dec  7 11:40:22 2005
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Well dammit now ya got me thinkin' all Kimberly! ;-)

XO-Glenna
  ----- Original Message -----
  From: mckenzie
  To: babel-list
  Cc: eternalcafe Moderator
  Sent: Wednesday, December 07, 2005 2:23 AM
  Subject: Re:


  Ugh, I meant redondo Beach.  Sorry
  On Dec 7, 2005, at 5:21 AM, mckenzie wrote:

  > Patti was good on Conan O' Brian tonight.  She did a laid back version
  > of Kimberly.  Tom Verlaine was on lead guitar and he played a few odd
  > notes, but otherwise a great performance.  Patti was sitting with
  > Conan at the closing, but no interview.
  >
  > Dave

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Hi Doug: I hope you don't mind that I've shared your cronique in my 
blog: http://pont_des_arts.blogspot.com/

Thank you very much, Gabby De Cicco


babel-digest escribis:

>babel-digest         Tuesday, December 6 2005         Volume 10 : Number 277
>
>
>
>In this issue:
>
>        de l'ame pour l'ame
>
>See the end of the digest for information on subscribing to the babel-list
>or babel-digest mailing lists and on how to retrieve back issues.
>
>----------------------------------------------------------------------
>
>Date: Mon, 5 Dec 2005 15:13:35 -0500 (GMT-05:00)
>From: "Douglas W. Corkhill" <dwcatty>
>Subject: de l'ame pour l'ame
>
>Imagine being given the opportunity to see and hear a musical artist perform one of their most influential albums, in its entirety, in the sequence it was recorded.  The mind is boggled; Bruce Springsteen playing Born To Run from front to back.  The Rolling Stones and Let It Bleed, or Sticky Fingers.  Bob Dylan Revisting Highway 61.
> 
>For two nights in new York City last week rock singer-poet-priestess-goddess Patti Smith celebrated the 30th anniversary of her debut album Horses doing just that.  She did not recreate the songs, rather reinterpreted the music as both she and horses have matured.  Held at the gorgeous Brooklyn Academy of Music it was truly an occasion of rock meets art.
> 
>For me, the decision to attend one of these shows was simple.  I have admired Smith's music for years, introduced through her collaboration with Springsteen on Because the Night in 1978, and have seen her play in small clubs in North Carolina and in New York City on her birthday twice.  In my never ending quest for the perfect concert moment I knew this show would be special - and I was going.
> 
>I didn't realize just how special upon entering the concert hall, with its high, ornate ceiling, gilded balconies and box seats hovering like saucers flying beside the stage.  I didn't realize how special when I was handed a program from the usher, complete with a playlist and biography of the band.  It wasn't until the lights dimmed, they walked on stage and Patti sang the first line of Gloria; "Jesus died for somebody's sins but not mine," that I knew that this was not your average rock and roll show.
> 
>Patti and the band attacked the first four songs with unbridled passion.  Patti was pumped during Gloria, relaxed in Redondo beach, channeled her poetic soul for Birdland and unleashed a frenzy in Free Money.  Flea, bass player with the Red Hot Chili Peppers playing now with Patti, was barely able to contain his energy, marching in place and then hopping during the first sides' final cut.
> 
>"Side two," Patti smiled and said before Kimberly.  Both the band and the audience took a collective breath at the start before Flea got funky on the bass, Lenny Kaye ripped some surf guitar and then Patti and Lenny danced to the song's sweet ending.  Patti recited a poem to Jim Morrison before Break It Up, then pounded on her heart singing "I feel my heart breaking."
> 
>The centerpiece of the album, the three part opus Land, was completely reworked.  The opening ode to "Johnny" was reworded, the Land of a Thousand Dances portion churned with ferocious energy and the concluding La Mer was replaced with lyrics that invoked the streets of Tanagers.  In spite of the changes the crowd was the most responsive of the night, on their feet and dancing in the aisles.
> 
>Everyone - Patti, the band, the audience - took another deep breath as Flea turned bass duties over to long time drummer Jay Dee Daugherty and picked up the trumpet for the album ending Elegie.  Promising "We'll be right back," Patti led the band off stage to the fifth (or was it the sixth?) standing ovation of the night.  Horses was complete but the night was not yet over.
> 
>Unlike the first set, which was a unified whole, the second set was a pastiche.  Proving her past was both punk and psychedelic Patti played clarinet on a mesmerizing cover of Are You Experienced?  After reminding the audience that the day (December 1) was International Aids Day and railing against governments and corporations that don't do more to make medicine available to the poor around the world, she and Lenny played acoustic guitars on a simply sublime Southern Cross.  Patti kept her shoes and socks on while going out into the audience during Dancing Barefoot, then began Because the Night serenading a stuffed Gumby doll.  The set ending Rock and Roll Nigger included both a snippet of Land's lost La Mer as well as a reprise of Gloria's opening line.
> 
>Returning for an encore that truly felt earned and not scripted, Patti invoked her late husband Fred "Sonic" Smith.  She told of how when the two of them wrote the song People Have the Power in "oh...1987," her daughter was kicking her from inside the womb.  This night daughter joined mother onstage for the finale.  "She'll probably kick me again after the show," the proud mom said before ending the night with the fist pumping anthem.
> 
>In the program Lenny Kaye writes of the "great privilege and honor" it is for them to "share this milestone moment of Horses' lifeline in Brooklyn."  Also in the program, just above the playlist, is "de l'ame pour l'ame."  Translated literally, this means "from the soul, for the soul".  Thank you, Patti; my soul is enriched for having been there.
> 
>Doug (sad because they were out of "Horses Changed My Life" buttons by the time I got there)
>
>------------------------------
>
>End of babel-digest V10 #277
>****************************
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From babel-list-owner Wed Dec  7 13:51:30 2005
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Leonard Lopate interviewed Patti Smith today, 

    <A 
HREF="http://www.wnyc.org/stream/ram.py?file=/lopate/lopate120705b.mp3">http://www.wnyc.org/stream/ram.py?file=/lopate/lopate120705b.mp3</A>




Jay Dillon 
<A 
HREF="http://dogbert.abebooks.com/servlet/SearchResults?bx=off&sts=t&ds=30&vci=221241&bi=0&an=Smith+Patti&sortby=2">Jay Dillon  Rare Books + Manuscripts
</A> 

From babel-list-owner Wed Dec  7 15:08:51 2005
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From: "Michael C. Berch" <mcb>
Subject: Re: Patti on Conan
Date: Wed, 7 Dec 2005 15:08:49 -0800
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OK... it was great to see Patti & the band, which I haven't in a  
while, and I always like hearing Redondo Beach. But what was up with  
Tom Verlaine? I didn't see him on stage at all at first, and he  
apparently was sitting in the wings, in a black hoodie with  
sunglasses, and was only on camera for a couple of seconds, even  
though he was playing lead (as Dave noted, in a somewhat  
idiosyncratic manner). Has he become stage-shy, or was he just not  
feeling well or something?

--MCB


On Dec 7, 2005, at 2:21 AM, mckenzie wrote:

> Patti was good on Conan O' Brian tonight.  She did a laid back  
> version of Kimberly.  Tom Verlaine was on lead guitar and he played  
> a few odd notes, but otherwise a great performance.  Patti was  
> sitting with Conan at the closing, but no interview.
>
> Dave

From babel-list-owner Wed Dec  7 15:19:22 2005
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On Wed, 07 Dec 2005 23:08:49 -0000, Michael C. Berch <mcb>
permuted the following:

> OK... it was great to see Patti & the band, which I haven't in a while,  
> and I always like hearing Redondo Beach. But what was up with Tom  
> Verlaine? I didn't see him on stage at all at first, and he apparently  
> was sitting in the wings, in a black hoodie with sunglasses, and was  
> only on camera for a couple of seconds, even though he was playing lead  
> (as Dave noted, in a somewhat idiosyncratic manner). Has he become  
> stage-shy, or was he just not feeling well or something?
>

That's our Tom! He was exactly the same at Meltdown (minus the shades)
apart from one moment when Patti induced him into a two-step:

http://www.permuted.org.uk/meltdown/image21.htm


-- 
Words
Everything is Permuted
http://www.permuted.org.uk
http://www.permuted.org.uk/fox
http://my.opera.com/Words/journal/

From babel-list-owner Wed Dec  7 15:18:39 2005
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On Wed, 07 Dec 2005 23:08:49 -0000, Michael C. Berch <mcb>  
permuted the following:

> OK... it was great to see Patti & the band, which I haven't in a while,  
> and I always like hearing Redondo Beach. But what was up with Tom  
> Verlaine? I didn't see him on stage at all at first, and he apparently  
> was sitting in the wings, in a black hoodie with sunglasses, and was  
> only on camera for a couple of seconds, even though he was playing lead  
> (as Dave noted, in a somewhat idiosyncratic manner). Has he become  
> stage-shy, or was he just not feeling well or something?
>

That's our Tom! He was exactly the same at Meltdown (minus the shades)  
apart from one moment when Patti induced him into a two-step:

http://www.permuted.org.uk/meltdown/image21.htm


-- 
Words
Everything is Permuted
http://www.permuted.org.uk
http://www.permuted.org.uk/fox
http://my.opera.com/Words/journal/

From babel-list-owner Wed Dec  7 15:18:41 2005
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From: Poemsl1
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Date: Wed, 7 Dec 2005 18:18:16 EST
Subject: Re: Patti on Conan
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I thought Verlaine acted weird also, and even though I generally love  his 
music, I thought his little "guitar blips" were a bit odd.  But then,  maybe 
it's just that I'm not used to them in the standard version  of "Redondo Beach".  
It was still great to see the group,  idiosyncrasies and all.  xxo- Seena

From babel-list-owner Wed Dec  7 21:34:46 2005
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From: Oligodendroglia
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Date: Thu, 8 Dec 2005 00:34:36 EST
Subject: Re: Patti on Conan
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I was disappointed that they played Redondo Beach, as opposed to lets say... 
Gloria... Free Money... Land... 

Conan held up the Horses 30th discs...  with a late night audience, why 
select Redondo Beach?

As for Tom... I'm glad that he's there... and I hope he stays with the band.  
In my opinion, his playing this year is infinitely better integrated with 
Patti's "sound" than in 1996.  I liked that little guitar "jab" that he added....

From babel-list-owner Thu Dec  8 08:33:58 2005
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Date: Thu, 8 Dec 2005 11:34:01 -0500 (EST)
From: Keith <kaj22>
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To: babel-list
Subject: CBGB is closing
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I got this from CBGB's myspace blog.  

Keith
***************

CBGB is closing

We are closing.  Our landlord had neither the obligation nor the interest to give us a new lease when our old lease expired in August.  Since then, we have been fighting a losing battle, trying to buy time, against our eviction.

Unless a miracle were to happen, or the landlord were to have a change of heart, we knew we were gong to close.  We just didn't know when.  Now we do.

An agreement has been reached... not to give us a new lease, but to give us time to find a new location.

CBGB is officially closing by October 2006.  No postponements, no court dates, no appeals... that's it.

We are using this time to try and find a new location in New York.

The rumors of us trying to open in Las Vegas and/or elsewhere are true... but not what you may think.  We are staying in New York and we are looing for a space in downtown Manhattan.  We are not moving to Las Vegas or anywhere else.  We are, however, looking at opening up a sister club elsewhere... perhaps a CBGB West.  But the original CBGB, though it will have to move, will remain in New York.

From babel-list-owner Thu Dec  8 11:49:43 2005
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From: "PageRox" <PageRox93>
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Subject: Got Food Allergies? (NPC unless she's allergic!)
Date: Thu, 8 Dec 2005 11:50:51 -0800
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Hi guys! Here's a link I found at the Today Show site--I got to thinking maybe
some of you may have food allergies. Although incomplete, and mentions not the
corruption of the FDA, the link does include a card that you can print out to
list your food allergies.

http://msnbc.msn.com/id/10352778/#BuddyCard

Anyway, I thought it may be helpful to someone!

XOXO-Glenna

From babel-list-owner Thu Dec  8 18:06:03 2005
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From: Poemsl1
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Date: Thu, 8 Dec 2005 21:04:40 EST
Subject: Rocking Horses: Patti Smith, Lester Bangs, and the passage of
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_http://www.laweekly.com/ink/06/03/24-mcdonald.php_ 
(http://www.laweekly.com/ink/06/03/24-mcdonald.php)    With a great painting by Alie Ward.  xxo- Seena

From babel-list-owner Fri Dec  9 02:33:34 2005
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Subject: RE: Rocking Horses: Patti Smith, Lester Bangs, and the passage
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Nice article.

Also I liked the picture of Patti next to the movie ad for
"Memoirs of a Geisha".  There was a tiny bit of resemblance between
the two faces.

- Mitch


> -----Original Message-----
> From: owner-babel-list
> [mailto:owner-babel-list]On Behalf Of Poemsl1
> Sent: Thursday, December 08, 2005 9:05 PM
> To: Paths_That_Cross; PoetsandArtists;
> babel-list; eternalcafe
> Subject: Rocking Horses: Patti Smith, Lester Bangs, and the passage of
> time
> 
> 
> _http://www.laweekly.com/ink/06/03/24-mcdonald.php_ 
> (http://www.laweekly.com/ink/06/03/24-mcdonald.php)    With a 
> great painting by Alie Ward.  xxo- Seena

From babel-list-owner Fri Dec  9 06:59:30 2005
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From: Andrew F Wilson <andrewfwilson>
To: Babel-list <babel-list>
Subject: Re: Tower Records In Store NYC
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Does anyone have a scan of the flyer from the Tower Records Instore
appearance on 8 November 2005?

Many thanks


Andrew

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From: "Jucha, Gary" <Gary.Jucha>
To: "babel-list" <babel-list>
Subject: Anyone have BAM recordings?
Date: Fri, 9 Dec 2005 10:26:46 -0500
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Does anyone on this list have a recording of any of the BAM shows?



I was at the 12/1 concert and would love to get a copy of Patti's
expanded line-up doing Are You Experienced?



I have plenty to trade.



Thanks, Gary

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From babel-list-owner Fri Dec  9 08:20:14 2005
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From: skywalker <skywalker919919>
Subject: May 1, 2005 CBGB's on Dime
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Patti's May 1, 2005 CBGB's show is on Dime: http://www.dimeadozen.org/torrents-details.php?id=72607

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