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another Patti BAM review
- To: babel-list
- Subject: another Patti BAM review
- From: Phil Grabar <pgrabar>
- Date: Thu, 01 Dec 2005 18:55:06 -0500
- Sender: owner-babel-list
Rock Icon Patti Smith Still at top of Her Form
By Frank Scheck
That Patti Smith has evolved from punk pioneer to rock legend was
made obvious by the location of this 30th anniversary performance of
her groundbreaking and recently re-released album "Horses." Rather
than in a club like CBGB or one of its larger equivalents, the show
was presented at the Brooklyn Academy of Music's Opera House, a venue
more frequently inhabited by the likes of the Royal Shakespeare
Company and the Mark Morris Dance Company.
The performance well demonstrated that though she is pushing 60 and
sports gray hair instead of black, Smith has lost none of her
ferocious power. From the first line of the famous album opener
"Gloria" -- "Jesus died for somebody's sins, but not mine" -- to the
mournful closing notes of "Elegie," she and her band delivered a
performance of blazing intensity that actually managed to outshine
the original.
Clad in similar style to the album cover photo of her shot by Robert
Mapplethorpe, Smith both re-created and expanded upon the music.
Original Patti Smith Group members Lenny Kaye (guitar) and Jay Dee
Daugherty (drums) were augmented by Television guitarist Tom
Verlaine, Tony Shanahan on keyboards and typically energetic bassist
Flea, who also contributed an impressive trumpet solo to "Elegie."
From its use of spoken-word poetry and excerpts from rock classics
to its prefiguring of new wave and punk, "Horses" displayed a
stylistic breadth and imagination that was perfectly conveyed here.
And though Smith might be at the age where she has to reach for her
glasses before delivering some of the denser lyrical material (a
gesture that amusingly garnered cheers from the largely boomer
crowd), she had no difficulty recapturing the music's manic energy.
After the formal delivery of the album in its entirety, Smith and
company rewarded the audience with a lengthy second segment featuring
impassioned renditions of such classics as "Southern Cross," "Because
the Night," "Dancing Barefoot" and "Rock and Roll Nigger." The
performances well justified a well-timed outburst from one irate
patron: "They should have put you in the hall of fame, Patti!"
Reuters/Hollywood Reporter
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